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# CASSETTE FUTURISM POSES - KREA2 (natural-language prose)
# Gender-neutral: subject referred to as "the subject"; body parts
# take "the" (the hip, the neck) - no gendered pronouns anywhere.
# Cassette-fut flavored through UBIQUITOUS fixtures and gear gestures
# (railings, crates, bulkheads, deck plating, wall speaker grilles,
# wrist readouts) - NOT room-specific machinery - so they stay
# portable across every environment in the matching environment pool,
# interior and exterior alike.
# Attribute-clean: no skin, hair, eye, or garment callouts. Weapon-free.
# One pose per line. Pair with __cassette_environment__ and an outfit line.
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# Standing
the subject stands squarely at ease with weight even on both feet, arms loose at the sides, chin level, a still composed at-attention posture
the subject stands with weight shifted onto one hip in a relaxed contrapposto, one hand resting at the waist and the other hanging loose, head tilted slightly
the subject stands with both hands planted on the hips, elbows out, feet set apart, a squared and confident stance
the subject stands with the arms crossed tightly over the chest and the shoulders drawn up, weight rocked back onto the heels, a guarded closed-off posture
the subject stands turned three-quarters away with one hand raised to shade the eyes, gaze fixed on the far distance, a surveying stance

# Leaning
the subject leans one shoulder against a bulkhead with the ankles crossed and the arms folded, an unhurried waiting posture
the subject leans back against a railing with both elbows hooked over it, hips pushed forward, one boot crossed over the other, casual and idle
the subject braces both palms flat against a bulkhead at shoulder height with the arms straight and the head bowed between them, leaning in to rest
the subject stands with one boot raised onto a low crate, a forearm resting across the lifted knee, leaning into it and looking ahead

# Crouching
the subject crouches on the balls of the feet with the forearms draped over the knees, head lifted and gaze forward, a low ready crouch
the subject kneels on one knee with the opposite forearm braced across the raised thigh, torso upright, steady and grounded
the subject squats low on the heels with the knees wide and the hands loosely clasped between them, head lowered, examining something on the deck

# Seated
the subject sits on the edge of a low crate with the knees apart, forearms on the thighs and the shoulders rounded forward, resting between tasks
the subject sits on the deck with one leg drawn up and an arm looped around the knee, the other leg extended, a slouched floor-seated rest
the subject sits perched on the lip of a raised surface with the hands gripping the edge and the legs dangling, leaning forward, waiting
the subject reclines propped back on both elbows with the legs stretched out and the ankles loosely crossed, head tipped back, fully at ease

# Motion
the subject is caught mid-stride walking forward, one arm swinging and the weight rolling onto the leading foot
the subject pauses mid-step and turns to glance back over one shoulder, the torso twisting while the trailing foot stays planted
the subject walks with a heavy trudging gait, shoulders slumped and head down, the arms hanging, worn out and weary

# Gestures
the subject stretches both arms overhead with the fingers laced and the spine arched, rising onto the toes, a long waking stretch
the subject rolls one shoulder with a hand raised to knead the back of the neck, head canted, easing stiffness
the subject stands with a hand raised to rub the back of the head, elbow lifted, a tired or awkward idle gesture

# Gear
the subject tilts the head toward a bulkhead-mounted speaker grille with one hand cupped near the ear, listening intently
the subject holds one wrist up close to check a strapped readout while the other hand steadies the forearm, focused on it
